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#Review sherlock season 3 wedding full#
The most intelligent, and the most entertaining of these, is the lengthy scene involving Sherlock, a lecture hall full of women, Mycroft providing helpful hints from on high, and a surprise appearance by Irene Adler (defrocked), who is promptly told to ‘get out of my head, I’m busy!’ It’s a fantastic metaphor – and it looks good too. In the case of The Sign of Three, the risk pays off beautifully, and a sizeable chunk of the credit for that success goes to writer Stephen Thompson, who, despite his evident prowess and talent from a technical perspective, is also wildly imaginative and unfailingly good at bringing that imagination to the screen most especially in the devices he employs to help us see what’s going on in Sherlock’s head some of them classic, some of them entirely new. Structuring an entire episode around a best man speech, and managing all the inevitable back and forth craziness incumbent upon such a structure, is a huge risk for any production to take: too much, and the audience can’t follow, too little, and the audience falls asleep. But anyway.) As to Sherlock’s fears about the best man speech, well, those do turn out to be justified, and it is when confronted with a hall full of loud, half-drunk, oddly-shaped wedding guests and too nervous to be anything but himself, that Sherlock sets the ball rolling across a barrage of memorable cases, anecdotes and other totally sincere praises of the incomparable John Watson that takes an entire episode to navigate, and that soon transforms into one of the most important deductions of Sherlock’s life as it becomes clear that the wedding day is also one ingenious murderer’s personalised version of judgement day. His fears on the first count turn out to be groundless, most obviously because John can’t imagine a life without solving crimes, blogging about it and sniggering when Sherlock forgets his pants, but most importantly (and realistically) because John has had the good (and rare) fortune to fall in love with a woman who actually encourages their bromance (Sidebar: Mary is fucking awesome, she like totally sees that they’re both afraid things will change because of her, and likes to make them sneak around together like naughty schoolboys when she’s actually the person who planted the idea of doing the actual sneaking.
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Firstly, because of a deep-set fear (that he insists on denying) that John’s being a married man will spell the end of their partnership and will inevitably consign him to the gallows of haunting crime scenes with only a skull to talk to secondly, because he has to make a speech as best man. It’s John and Mary’s wedding day, and Sherlock has found the build-up to the event rather distressing, for more reasons than one. Any wedding episode that manages to be totally lacking in corniness without having The Rains of Castamere on its playlist is a jewel, and while The Sign of Three is without doubt the most atypical of all Sherlock episodes in terms of just about everything, it has the distinction not only of being a jewel, but of being a remarkably well-thought-out and impeccably-structured rendering of a fiendishly-complicated plot, and a moving and hilarious bringing-to-light of everything that is good about the Sherlock-John relationship.